Restraint, exactness of shaping where the feeling for proportions powerfully overruled the form of the work, the sense of decorous musical narration, ideological concept always hidden in the background of musical ideas, all these are features of Milo Cipra’s opus.
There is almost no instrument that Papandopulo had not written a piece of music for, always with an impeccable masterful familiarity with the possibilities of that particular instrument, always combining unusual audio components.
Inquisitive, hard-working and resolute, he had always built his fate and his life course alone, by his own will and decision, and not by chance. This stubbornness and curiosity led his from his native Škaljari to Zagreb and afterwards he spent a short time in Paris.
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