The music legacy of Dino Dvornik (20 August 1964 – 7 September 2008), as well as his permanently intertwined private and showbusiness life witness an enormous talent and feature eruptive music based on furious rhythm and passion regardless of the magnitude of inspiration.
Ivana Vučić i Tomislav-Jurica Kaćunić, designer from Zagreb
white, wood free, weight 181 g., adhesive
die cut perforations
Multicolor Offset Printing
AKD d.o.o., Zagreb
Date of issue:
In the same series:
Type: C Date: 28.9.2020.
Dino Dvornik, a reproduction of the vinyl record cover Dino Dvornik (LP), released by Jugoton / Croatia Records, 1989 Photography: Rino Efendić, Design: Srđan Pleško
Oliver Dragojević, a reproduction of the vinyl record cover Danijela / Galeb i ja (a single), released by Jugoton / Croatia Records, 1979 Photography and record cover design: Ivan Ivezić
Toma Bebić, a reproduction of the vinyl record cover Oya Noya (LP), released by Suzy, 1980 Design and the drawing on the record cover: Vladimir Kokan
The postage stamps have been issued in 4-stamp self-adhesive sheetlets and the Croatian Post has also issued a First Day Cover (FDC). Round sheetlets imitate a gramophone record.
While he was the cult “Dalmatian singer” in the ‘70s and the ‘80s with the anthemic and anthological songs such as Galeb, Malinkolija, Oprosti mi pape, Skalinada, Karoca, Ništa nova, Stina and other, reaching far outside the regional borders, in the ‘90s and the new millennium he became the biggest and the shiniest star of (not only) Croatian scene.
Unfortunately, partly due to his own nonchalance and partly as a toll to the “provincial mindset”, Toma’s musical opus is comparably weaker than the value of the songs and the extraordinary concert performances.
His songs mostly belong to “Dalmatian chansons” with distinctive dedication to his region, but they mostly refer to everyday situations and “little people” from the margins, with whom he – as a bohemian and anarchist – got along the best.
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