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HRVATKO

Type: COMMERCIAL POSTAGE STAMP  |  Date: 9.12.2016.
Motif: Superhero Hrvatko and Black Luca Stamp has been issued in 10-stamp sheets with 10 labels, and Croatian Post has also issued a First Day Cover (FDC).
Number: 1080

HRVATKO

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150th ANNIVERSARY OF ERECTING THE BAN JELAČIĆ STATUE

Type: S/S  |  Date: 5.12.2016.
Motif: the statue of ban Jelačić Souvenir sheet is composed of one stamp and Croatian Post has also issued a First Day Cover (FDC).
Number: 1079

150th ANNIVERSARY OF ERECTING THE BAN JELAČIĆ STATUE

The first proposal for the erection of the statue of Josip Jelačić was made by the city mayor Janko Kamauf in 1854, when the title of 'count' was decreed to Josip Jelačić by Emperor Franz Joseph I of Austria but the difficulties in raising funds had postponed the erection of the statue and it was erected on the 16th of December, 1866.

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MODERN ARCHITECTURE AND DESIGN – VIKTOR KOVAČIĆ

Type: C  |  Date: 1.12.2016.
Motifs: 2.80 HRK – interior of Kovačić's apartment 4.60 HRK – a detail in the interior of Kovačić's apartment 7.60 HRK – the Stock Exchange Palace The stamps are issued in 6-stamp sheetlets and Croatian post has issued a First Day Cover (FDC). This issue was realized in collaboration with the Museum of Zagreb.
Number: 1078

MODERN ARCHITECTURE AND DESIGN – VIKTOR KOVAČIĆ, the Stock Exchange Palace

The Stock Exchange Palace, today the Croatian National Bank headquarters (Zagreb, Croatian Nobles Square 3 / Franje Račkog street, 1 / Martić street,1, 1923/1927) is the last architectural work of Kovačić and also the most demanding designing task.

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Number: 1077

MODERN ARCHITECTURE AND DESIGN – VIKTOR KOVAČIĆ, a detail in the interior of Kovačić's apartment

Typical for the generation formed in the spiritual climate of modernism, Kovačić's relationship is equally subtle towards the past as well as the coming century. He had foregone the historicism, considering it a form of pure imitation of past stylistic models in favour of modernism, in which he found an inexhaustible inspiration for the synthesis of traditional and modern and which is the constant of his opus.

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Number: 1076

MODERN ARCHITECTURE AND DESIGN – VIKTOR KOVAČIĆ, interior of Kovačić's apartment

Preserved in its original state, Viktor Kovačić's loft in Masarykova 21 even today testifies to his perception of comfort and the importance of quality of everyday life in an ambience tailored in his own measure.

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ADRIS FOUNDATION – A CONTRIBUTION TO THE CROATIAN SOCIETY

Type: COMMERCIAL POSTAGE STAMP  |  Date: 28.11.2016.
Motif: the blue of the sea penetrated by a ray of sun Stamp has been issued in 10-stamp sheets with 10 labels, and Croatian Post has also issued a First Day Cover (FDC).
Number: 1075

ADRIS FOUNDATION – A CONTRIBUTION TO THE CROATIAN SOCIETY, 2007 – 2017

Adris grupa is one of the leading Croatian companies according to the criteria of profitability, competitiveness and innovation. The original idea of the Adris Foundation project was, and still is, to promote a culture of exellence, knowledge and solidarity in Croatian society.

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CHRISTMAS 2016

Type: C  |  Date: 24.11.2016.
Motif: The Adoration of the Magi, a work by Italo-Cretan master, 17th century, Dubrovnik Museums, Cultural History Museum, Duke's Palace Stamp has been issued in 20-stamp sheet and in a booklet of 10 self-adhesive stamps and there is also First Day Cover (FDC) issued by Croatian Post.
Number: 1074

CHRISTMAS 2016

Christmas scene The Adoration of the Magi from the Duke's Palace has been dated in the 17th century and described as a work by an Italo-Cretan master. On one side the master seems to be developing a soft Venetian scene full of warm colours, with many realistic details while on the other side he transforms the volumes into surfaces by strong, schematized strokes.

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Number: 1073

CHRISTMAS 2016

Christmas scene The Adoration of the Magi from the Duke's Palace has been dated in the 17th century and described as a work by an Italo-Cretan master. On one side the master seems to be developing a soft Venetian scene full of warm colours, with many realistic details while on the other side he transforms the volumes into surfaces by strong, schematized strokes.

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